Ready to learn more terms that pertain to a string quartet in Raleigh NC? Below, you’ll find several more according to curtis.edu.

Terms | String Quartet in Raleigh NC

  • Baron Fürnberg – An early patron of Joseph Haydn who asked the composer to write a piece that could be played by four friends of music. Haydn was 18 at that time. Haydn accepted the invitation, resulting in his first string quartet. (This story comes from Haydn’s biographer, but musicologists approximate that
  • Baroque – from the Portuguese barroco meaning “rough or imperfect pearl.” The music of this period (c.1600-1750), directly following the Renaissance and preceding the Classical era, is characterized by a lot of ornamentation, thus the name. The main composers of the Baroque era include Gabrieli, Monteverdi,
  • Basso continuo – A characteristic of Baroque-era music consisting of a bass part that runs continuously throughout the work, also called thoroughbass. If it is figured to indicate the harmony, it is called figured bass.
  • Beklemmt – “anguished”
  • Burlesque – a humorous piece involving parody and grotesque exaggeration
  • Haydn’s earliest works for string quartet actually appeared when he was about 25 to 30 years of age.)
  • He came to be regarded as a dominant musical figure of the 19th century, and scarcely any significant composer since his time has escaped his influence or failed to acknowledge it. He is perhaps the most admired composer in the history of Western music.
  • J.S. Bach (1685-1750) – German composer of the Baroque era. The most important member of the Bach family, Johann Sebastian Bach’s unique brand of genius combined outstanding musicianship with supreme creative powers, in which forceful inventiveness, technical mastery, and intellectual control are perfectly balanced. His musical language was distinctive and extraordinarily varied, surmounting the techniques, styles, and the general achievements of his own and earlier generations, and leading on to new perspectives which later ages have received and understood in a great variety of ways.
  • Johannes Brahms (1833-1897) – German composer. The successor to Beethoven and Schubert in large chamber and orchestral forms, and to Schumann in miniature piano forms and songs, Brahms creatively synthesized the practices of the past with the language of mid- and late 19th century Romanticism. His works of controlled passion, deemed reactionary by some, progressive by others, became well accepted in his lifetime.
  • Ludwig van Beethoven (1770-1827) – German composer whose early achievements extended the
  • Viennese Classical tradition that he had inherited from Mozart and Haydn. As personal afflictions – deafness, and the inability to maintain happy personal relationships – loomed larger in his life, he began to composer in an increasingly individual style, and at the end of his life wrote his most sublime works.
  • Vivaldi, Scarlatti, Handel, and most famously, Johann Sebastian Bach.

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